The Dark Knight Return Part 2
The Dark Knight Returns...from retirement
Release Date: January 29, 2013
Director: Jay Oliva
Starring: Peter Weller, Michael Emerson, Mark Valley, David Selby
Plot: Following his defeat of the Mutant Leader, Batman faces his greatest challenge yet with the re-emergence of the Clown Prince of Crime who is more determined than ever to bring down the Dark Knight, and the Man of Steel who has been ordered to put and end to Batman's ever escalating campaign for justice.
It must seem a bit odd for me to write
a review of a film which is actually a sequel, without having written
about the first instalment, despite having seen it quite recently.
But I have to admit, the only real reason that I watched the Dark
Knight Returns Part 1, was so I could get to part 2. I am not in any
way familiar with the Graphic Novel on which it is based but have
heard innumerable good things about it from friends
The animated Batman films have always
been amongst my favourite, I think they are able to capture the dark
and gritty atmosphere in ways that Nolan's films, with the their
sense of realism, are just not able to convey. Batman is a very
Gothic character and that has never come across better than in
animation. So now I will run you through the good points and the bad
of the latest addition to DC animated canon.
When it comes to the voice acting of a
Batman animated film, it is inevitable that people are going to
compare the leading actors, more than likely unfavourably, with that
of Batman: The Animated Series, in particular Kevin Conroy and Mark
Hamill as the Dark Knight and Clown Prince of Crime respectively.
This is not only unfair, but rather pointless as each actor tends to
bring something new to the role and in all honesty the performances
in this film were on the whole very good, with some being notably
better than others. Peter Weller has one of the most distinctively
weird voices in the whole acting game, and while I was at first put
off by his deadpan drawl I have decided that this actually works to
add an interesting layer to the character of Batman, it creates an
image of a man who has seen too much, and lost so much more. It adds
an element of weariness to the character which is befitting
considering the vigilante had been retired for eight years before the
events of the first film, it almost seems like he doesn't care as
much anymore. But this changes when faced with the Joker, having
known the Clown Prince of Crime was not to be trusted after his
release from Arkham and still failing to prevent the deaths of dozens
at his hands Batman finally considers doing what we all know he
should have done so many years ago: Kill the Joker. In these scenes
Weller imbues the Dark Knight with a menacing anger fantastically
conveyed in his canyon deep growl. In many ways the story arc of
Batman is similar to that of Christian Bale's interpretation of the
character in the latter two instalments of Christopher Nolan's Dark
Knight trilogy, but Weller manages something Bale never could,
intimidation. Bale tried far too hard to be menacing and in doing so
rendered himself almost unintelligible and earned a lot of criticism
in doing so. But Peter Weller has a voice than makes you listen, and
aside from the scene in which he delivers a speech to the Sons of
Batman sat astride a horse in which he sounded quite flat, he is very
commanding. Not as good as Kevin Conroy but a very fine substitute
and one I would be happy to see reprise the role in the future.
The role which I was most anticipating
however, was that of the Joker as it has been in every form of media
containing him, from animation to live action. In the grand scheme of
things Batman is quite a simple role to play, deep voiced,
understated and with a slight growl of menace. Many actors have done
a fine job of portraying the cape crusader. The Joker on the other
hand is another story, very few actors have completely captures the
right combination of horror and hilarity. It does not help of course
that the character has changed in some way in pretty much every
appearance to date, from crazed clown, to colourful mob boss, to
flamboyant psychopath. When I heard Michael Emerson was going to take
on this challenging role I was both excited and sceptical. I love
Michael Emerson, he has a particular talent for the sinister and yet
has been shown to display a level of comic timing on such shows as
Person of Interest. But I had never heard him laugh and that is of
course the most important feature of the Joker, it is his trademark.
As I mentioned before I am unfamiliar with the Graphic Novel, so this
most original take on Batman's arch-enemy surprised me a little bit.
Camp, effeminate and on the whole a more subtle kind of maniac, it
fits within the context of the narrative, the Joker like Batman is
older and it seems in that time he has become less over the top
cackling killer and more obsessive, sadistic and calculating. Of
course that does not stop him from laughing as he guns down countless
innocent victims all the while apologising “Excuse me, coming
through, sorry, my bad” but it is much more understated and I think
that makes him more sinister. I have heard a lot of critics complain
that his voice sounds too nasally and weak to make an effective Joker
but I disagree, I thought Emerson's voice was very chilling and
suited this incarnation of the Joker perfectly. The only criticism I
have was some of the laughter, it sounded too forced at times, the
Joker's laugh should be organic, as it was with Mark Hamill and Heath
Ledger, there were times that I thought Michael Emerson felt a little
uncomfortable with it, but that is something that could be improved
with further practice. I hope very much to see Emerson in future
Batman adaptations.
I know I have spent a little too long
discussing the main characters, but that is because I found the
remainder of the supporting cast to be a little weak in comparison.
In particular David Selby as Commissioner Gordon, he just had no
authority to his voice and indeed he began to irritate me not long
into the first film's runtime, luckily his role was heavily reduced
in this instalment as the role of Commissioner is not held by Ellen
Yindel voiced by Maria Canals, to her credit she wasn't bad, but I am
undecided on whether or not she was good, I severely disliked her
character but you are supposed to, she takes a decidedly different
approach than Gordon of the Dark Knight, vowing instead that she will
bring him to justice for the 'crimes' he has committed. While there
was nothing wrong with her performance I also think sub-plots such as
these take away from the main narrative elements by constantly
inserting a scene in which Batman is forced to abandon his mission as
he desperately tries to escape the ever growing arm of the law. I for
one, would have preferred to have limited this in favour of some more
screen time for The Joker and the antagonistic Man of Steel.
Speaking of which, I actually enjoyed
the depiction of Superman in this film, Mark Valley voices the
character with a clipped authority and an air of condescension which
I think is actually quite appropriate for a near invincible alien
superhero. In this film he is relegated to President Reagan's lapdog,
destroying Russian fleets, deflecting nuclear missiles and hunting
down the renegade Dark Knight. I imagine many fans not familiar with
the graphic novel were disappointed with this new direction for the
Man of Steel. But I love it! I do not think his half of the film is
as good as the Joker's but when it comes to a physical confrontation
Superman is the way to go. To watch this two iconic superheroes
engage in such a brutal fight is probably a thing of beauty to those
who always wondered who would win.
As far as the story goes, this film is
easily better than the first. The first part was necessary of course
but it also felt to be that it was merely the build up to this one.
In this film Batman faces his greatest challenges as his return
awakens his old foe from the state of catatonia that he had been in
since Batman retired and it is quickly evident that his bloodlust and
obsession for bringing about the end of the Dark Knight have been in
no way dulled, what follows is a climactic confrontation which is
filmed perfectly, I loved the idea of setting in a fairground (Yes I
know this idea came from the Graphic Novel author, but I have never
read it so I have to call it as I see it) what I loved most about
this scene is that it shows you just how homicidal the Joker is in a
way which we have rarely seen before in animation, not even Mark
Hamill until he was allowed to run free in the Arkham game series. It
was dark, it was brutal it was a perfect ending to the ongoing battle
between the two. The imagery was distinctive and while the Joker's
character may not be quite as memorable as those we have seen in
recent years he is truly a monster.
But following this climactic chapter has concluded we realise Batman's troubles are far from over as the Powers that be have instructed Kal-El to bring an end to the Dark Knight's increasingly erratic campaign leading to a veritable clash of the titans in the streets as the two clash for supremacy which serves as the film's final, extravagant pay off and certainly ups the ante in terms of a physical challenge for Batman (The Joker having represented a more psychological and moral one). It all leads up to an ending that is both dark, featuring the death of a number of fan favourite characters, as well as with a glint of hope in the film's final seconds, the fact that all this action takes place amid a full scale riot further adds to the dramatic tension of the film. It is an animated film for a more mature audience who fully understand the Dark Knight and what he stands for. Above all else it is a fantastic story and one can easily see why Christopher Nolan turned to it for inspiration with the last part of his epic trilogy! Of course there were a few elements that I think could have been improved. I have never been a big fan of the character of Robin and this is no different, she is annoying and altogether pointless in my opinion. As was the cameo of Green Arrow, I do quite like the character since Arrow first premièred but this just felt forced, as if they brought him in simply to create a sense of continuity for the DC universe. The same goes for Selina Kyle, here depicted as obese and the owner of an escort service, while her scenes with the Joker were quite ominous and the hint that there has been an ongoing relationship between her and Bruce Wayne was a very nice touch. I'm not actually sure why he chose, after beating her, to dress her in a Wonder Woman costume...It's the wrong hero, it doesn't make much sense if you ask me!
But following this climactic chapter has concluded we realise Batman's troubles are far from over as the Powers that be have instructed Kal-El to bring an end to the Dark Knight's increasingly erratic campaign leading to a veritable clash of the titans in the streets as the two clash for supremacy which serves as the film's final, extravagant pay off and certainly ups the ante in terms of a physical challenge for Batman (The Joker having represented a more psychological and moral one). It all leads up to an ending that is both dark, featuring the death of a number of fan favourite characters, as well as with a glint of hope in the film's final seconds, the fact that all this action takes place amid a full scale riot further adds to the dramatic tension of the film. It is an animated film for a more mature audience who fully understand the Dark Knight and what he stands for. Above all else it is a fantastic story and one can easily see why Christopher Nolan turned to it for inspiration with the last part of his epic trilogy! Of course there were a few elements that I think could have been improved. I have never been a big fan of the character of Robin and this is no different, she is annoying and altogether pointless in my opinion. As was the cameo of Green Arrow, I do quite like the character since Arrow first premièred but this just felt forced, as if they brought him in simply to create a sense of continuity for the DC universe. The same goes for Selina Kyle, here depicted as obese and the owner of an escort service, while her scenes with the Joker were quite ominous and the hint that there has been an ongoing relationship between her and Bruce Wayne was a very nice touch. I'm not actually sure why he chose, after beating her, to dress her in a Wonder Woman costume...It's the wrong hero, it doesn't make much sense if you ask me!
But these minor grievances aside this
is definitely one of the best Batman animated films since Batman
Beyond: The Return of the Joker. It can easily hold its own against
the likes of Batman: Under the Red Hood and in my opinion is far
superior to the Dark Knight Rises, which while very good, gets a
little worse each time I watch it. I would be quite happy to see this
cast and production team return in the future, perhaps to adapt some
of the more popular Graphic Novels? The Killing Joke perhaps? Or
Death in the Family? Either way I think this may mark a new direction
in DC animation, which while dramatically different from the
immensely popular animated series, still remains a step in the right
direction.
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